Piano Sketches No. 8 for Solo Piano
This is the eighth in a series of 10 solo piano pieces I wrote to explore time signatures (this one is in 8/4 or 8), felt in 3,3,2 with modal and chordal structures. This piece with the subtitle of Hit the Ground running and evokes a sense of “perptual motion and a sense of things needing done. The opening section of this piece starts with a series of chord in 8/4 that is taken from a song I wrote for a band I from the seventies that I was in. This piece also focuses on quartal and quintal chord structures and modal melodies.
This is the eighth in a series of 10 solo piano pieces I wrote to explore time signatures (this one is in 8/4 or 8), felt in 3,3,2 with modal and chordal structures. This piece with the subtitle of Hit the Ground running and evokes a sense of “perptual motion and a sense of things needing done. The opening section of this piece starts with a series of chord in 8/4 that is taken from a song I wrote for a band I from the seventies that I was in. This piece also focuses on quartal and quintal chord structures and modal melodies.
This is the eighth in a series of 10 solo piano pieces I wrote to explore time signatures (this one is in 8/4 or 8), felt in 3,3,2 with modal and chordal structures. This piece with the subtitle of Hit the Ground running and evokes a sense of “perptual motion and a sense of things needing done. The opening section of this piece starts with a series of chord in 8/4 that is taken from a song I wrote for a band I from the seventies that I was in. This piece also focuses on quartal and quintal chord structures and modal melodies.