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This is the fifth in a series of 10 solo piano pieces I wrote to explore time signatures (this one is in 5/8), modal and chordal structures. This piece with the subtitle of Fits and Starts evokes an early morning commute with traffic flow moving faster and slowing down. and focuses on a octave work in both hands with modal melodic lines.
This is the fifth in a series of 10 solo piano pieces I wrote to explore time signatures (this one is in 5/8), modal and chordal structures. This piece with the subtitle of Fits and Starts evokes an early morning commute with traffic flow moving faster and slowing down. and focuses on a octave work in both hands with modal melodic lines.